On the Cover of a Notebook

National Bookstore, Glorietta, Makati City, Philippines
29 May 2016

Like this post? Subscribe to Mis(s)Usage.
Be social and click the buttons below.

NYT Books: Shakespeare First Folio Discovered, in Time for an Anniversary

Click on the image to read the article on New York Times.

In university, I played three of Shakespeare's interesting female lead characters.

Hermia in A Midsummer Night’s Dream
Rather than marry Demetrius, the man her father has chosen for her, after arguing her case, she runs away with Lysander, the man she loves. Her father begs the Duke, Theseus, to use the full weight of the law to make her comply and she is told that if she does not marry Demetrius her punishment will be death. Like other strong female characters in Shakespeare, Hermia stands up to her father, and even the most powerful man in their world. She does this with logical argument and remains calm while doing it. She then courageously runs away with her lover. Her strength lies in her calm assertiveness and her determination to control her own destiny rather than hand it to the men around her.

Lady Macbeth in Macbeth
Lady Macbeth is thought of as a very strong woman. She certainly exercises power over her husband, Macbeth, in the first half of the play, as she encourages him to murder Duncan. She uses her sexuality, she taunts him and mocks his lack of courage. She appeals to his sense of obligation towards her. She comes in more strongly as he wavers and finally he goes ahead with it. She seems like a strong woman but psychologically, she is not strong enough to deal with her guilt. Their marriage falls apart and they become estranged. She suffers terrible nightmares and finally commits suicide.


Ariel in The Tempest
Ariel an Elemental Being of the higher order, identified with the upward-tending elements of Air and Fire, and with the higher nature of man; and he has made Caliban an Elemental Being of the lower order, identified with the downward-tending elements of Earth and Water, and the lower nature of man.

The identification is too detailed to be fanciful. The very name of Ariel is borrowed from air, and he is directly addressed: "Thou, which art but air." The identification with fire is not less complete: when describing the lightning Ariel does not say that he set the ship a-fire, but that the ship was "all a-fire with me": —

Now in the waist, the deck, in every cabin,
I flamed amazement: sometime I'ld divide
And burn in many places.

Continue reading...

Like this post? Subscribe to Mis(s)Usage.
Be social and click the buttons below.

In Reality, Every Reader Is...

“In reality
every reader is,
while he is reading,
the reader of his own self.
The writer’s work
is merely a kind
of optical instrument
which he offers
to the reader
to enable him
to discern what,
without this book,
he would perhaps
never have perceived
in himself.”
― Marcel Proust

Marcel Proust is a French novelist, author of À la recherche du temps perdu (1913–27; In Search of Lost Time), a seven-volume novel based on Proust’s life told psychologically and allegorically. More of Marcle Proust...

Like this post? Subscribe to Mis(s)Usage.
Be social and click the buttons below.

H.P. Lovecraft's 20 Most Common Mistakes of Young Authors

Once again, brings me this interesting read about H.P. Lovecraft's advice to young writers and the most common mistakes they do.

  1. Erroneous plurals of nouns, as vallies or echos.
  2. Barbarous compound nouns, as viewpoint or upkeep.
  3. Want of correspondence in number between noun and verb where the two are widely separated or the construction involved.
  4. Ambiguous use of pronouns.
  5. Erroneous case of pronouns, as whom for who, and vice versa, or phrases like “between you and I,” or “Let we who are loyal, act promptly.”
  6. Erroneous use of shall and will, and of other auxiliary verbs.
  7. Use of intransitive for transitive verbs, as “he was graduated from college,” or vice versa, as “he ingratiated with the tyrant.”
  8. Use of nouns for verbs, as “he motored to Boston,” or “he voiced a protest.”
  9. Errors in moods and tenses of verbs, as “If I was he, I should do otherwise,” or “He said the earth was round.”
  10. The split infinitive, as “to calmly glide.”
  11. The erroneous perfect infinitive, as “Last week I expected to have met you.”
  12. False verb-forms, as “I pled with him.”
  13. Use of like for as, as “I strive to write like Pope wrote.”
  14. Misuse of prepositions, as “The gift was bestowed to an unworthy object,” or “The gold was divided between the five men.”
  15. The superfluous conjunction, as “I wish for you to do this.”
  16. Use of words in wrong senses, as “The book greatly intrigued me,” “Leave me take this,” “He was obsessed with the idea,” or “He is a meticulous writer.”
  17. Erroneous use of non-Anglicised foreign forms, as “a strange phenomena,” or “two stratas of clouds.”
  18. Use of false or unauthorized words, as burglarize or supremest.
  19. Errors of taste, including vulgarisms, pompousness, repetition, vagueness, ambiguousness, colloquialism, bathos, bombast, pleonasm, tautology, harshness, mixed metaphor, and every sort of rhetorical awkwardness.
  20. Errors of spelling and punctuation, and confusion of forms such as that which leads many to place an apostrophe in the possessive pronoun its.


Like this post? Subscribe to Mis(s)Usage.
Be social and click the buttons below.

24 Brilliant New Words That Must Be Added To A Dictionary

This is me! :)

Find out which one you are HERE.

Like this post? Subscribe to Mis(s)Usage.
Be social and click the buttons below.

Enormous Smallness

love is a place

love is a place
& through this place of
love move
(with brightness of peace)
all places

yes is a world
& in this world of
yes live
(skillfully curled)
all worlds.

by e.e. cummings

Lifted from a Review of Enormous Smallness: A Story of E. E. Cummings — an uncommonly delightful picture-book celebration of Cummings’s life by Brooklyn-based poet Matthew Burgess, illustrated by Kris Di Giacomo (the artist behind the wonderful alphabet book Take Away the A).

Read the full article HERE.

Like this post? Subscribe to Mis(s)Usage.
Be social and click the buttons below.

First Paragraph: Benazir Bhutto

The Path Back

As I stepped down onto the tarmac at Quaid-e-Azam International Airport in Karachi on October 18, 2007, I was overcome with emotion. Like most women in politics, I am especially sensitive to maintaining my composure, to never showing my feelings. A display of emotion by a woman in politics or government can be misconstrued as a manifestation of weakness, reinforcing stereotypes and caricatures. By as my foot touched the ground of my beloved Pakistan for the first time after eight lonely and difficult years of exile, I could not stop the tears from pouring from my eyes and I lifted my hands in reverence, in thanks, and in prayer. I stood on the soil of Pakistan in awe. I felt that a huge burden, a terrible weight,  had been lifted from my shoulders. It was a sense of liberation. I was at home at long last. I knew why. I knew what I had to do.

First Paragraph is a new feature on this blog. For me, the first paragraph, or even the first sentence, should catch my interest for the book to merit my attention. Is it the same for you? :) Well, then, let's explore first paragraphs of books together.

Like this post? Subscribe to Mis(s)Usage.
Be social and click the buttons below.